《花好月圆》——余氏中国当代艺术典藏展
展览时间:2008年12月18日~2009年3月16日
参展艺术家:陈墙、方力均、俸正杰、卢昊、李晓静、潘德海、潘剑、祁志龙、石新宁、武明中、王广义、徐冰、杨少斌、杨劲松、叶永青、尹朝阳、岳敏君、曾梵志、张晓刚、郑德龙、周铁海、周金华、钟飙、邹操……
地址:印尼雅加达余德耀美术馆
----YUZ COLLECTION OF CHINESE CONTEMPORARY ART
Artists:Chen Qiang,Fang Lijun,Feng Zhengjie,Lu Hao,Li Xiaojing,Pan Dehai,Pan Jian,Qi Zhilong,Shi Xinning,Wu Mingzhong,Wang Guangyi,Xu Bin,Yang Shaobin,Ye Yongqing,Yin Chaoyang,Yue Minjun,Zeng Fanzhi,Zhang Xiaogang,Zheng Delong,Zhou Tiehai,Zhou Jinhua,Zhong Biao,Zou Cao...
Opens to public from 18th Dec 2008 to 16th Mar 2009
ADDRESS:YUZ MUSEUM
Darmawangsa Square unit 31-33,the city walk jl,darmawangsa VI&IX jakarta .
Jakarta Yuz Museum Grand Opening/雅加达余德耀美术馆开幕典礼
余德耀美术馆于2008年12月17日在印尼雅加达正式开幕
余德耀美术馆,位于雅加达的南部Dharmawangsa广场大厦区的五层楼,
是印尼首个由印尼官方承认的私人美术馆。印尼前总统梅嘉瓦蒂女士前来祝辞,许多来自中国和当地的艺术家和爱好者们都到此地一起来见证余德耀美术馆的开幕典礼。
开幕展览 《花好月圆》由郭建超策展。
展览包括了岳敏君、方力均、王广义、张晓刚、祁志龙、卢昊、徐冰和四十多位中国具国际地位并最响誉的艺术家。此外,此次展览也鼓励了较年轻的艺术家,之中就包括了周金华,潘剑,李晓静的作品。
由余德耀基金会所建设的余德耀美术馆是在雅加达的第一个建立基础和艺术的空间。其选址在北京、上海、雅加达和巴厘岛。余德耀
美术馆将切实地作为美术馆来经营,并重视汇集发展、布展和公众节目。
当汇集集中于中国当代艺术之时,美术馆意欲促进在亚洲国家之中,特别是在中国、印度尼西亚和东南亚之间的审美和文化交流。
前述余先生, "我希望我的承诺能为艺术家和社会大众汇集发展作为长期文化发展目标服务。
通过建立在雅加达的余德耀美术馆,我想要展示当代艺术和文化的比较与欣赏物力论和潜力内部亚洲文化交流也许会刺激当代艺术的扣人心弦的发展。"
前述前总统梅嘉瓦蒂女士,"这个博物馆的存在是一件好事。 即使在这里我们已经有其他的私人博物馆,但都是较小量的。
余德耀美术馆是首度印度尼西亚文化部认同的第一家私人美术馆,并且我希望这将设置为例对其他。
这个美术馆的创立不仅将利益与加强印度尼西亚与中国之间的关系,它也将对其他国家带来同样的利益。
这是我会支持的一件事,并且我认为印度尼西亚人民还需要更多的这样作品。"
余德耀美术馆也建立了一个国际学术委员会。委员包括芝加哥大学的巫鸿教授
和新加坡美术馆总监郭建超先生,并且邀请更多的艺术史学家和评论家决策美术馆陈列、出版物和大众节目。余德耀美术馆是个非盈利性的机构,并将于每年设六到八个展览。
Official Opening of the Yuz Art Museum in Jakarta on 17 December 2008The Yuz Art Museum, first private collection art museum endorsed by the Indonesian Ministry of Culture as a museum of public character, was officially opened by Ibu Megawati Sukarnoputri the former President of Indonesia.
Housed in a five story segment of a building complex, the Dharmawangsa Center, in Jakarta, the inauguration was attended by many in the Indonesian art collection community as well as many artists from China whose works are featured in the museum.
The inaugural exhibition, Lovely Blossoms and Full Moon, is curated by Kwok Kian Chow, featuring works by Yue Minjun, Fang Lijun, Wang Guangyi, Zhang Xiaogang, Qi Zhilong, Lu Hao, Xu Bing and some 40 of China's best known artists of high international standing. Also in providing encouragement to younger artists, the exhibition also featured a special segment of works by Mr Zhou Jinhua,Mr Pan Jian,Ms Li Xiaojing.
The Yuz Art Museum in Jakarta is first of a network of museums and art spaces to be established by the Yuz Foundation, sited in Beijing, Shanghai,
Jakarta and Bali. Operating strictly as museums, emphasis will be placed on collection development, curatorship and public programmes. While the collection focuses on Chinese contemporary art, the museums are intended to facilitate aesthetic and cultural exchanges among Asian countries, particularly between China, Indonesia and Southeast Asia.
Said Mr Yu, "I wish to show my commitment to the artists and society at large that collection development serves long term cultural developmental goals. By establishing the Yuz Art Museum in Jakarta, I want to show the dynamism of cross cultural appreciation of contemporary art, and the potentials that intra-Asia cultural exchanges may stimulate exciting developments in contemporary art."
In her speech, Ibu Megawati said, "The existence of this museum is a good thing. Even though we do have such events here once in a while, but they are all in smaller scale. Yuz Museum has taken the initiative to be the first private museum endorsed by the Indonesian Ministry of Culture, and I hope this will set as an example to the others. The establishment of this Museum not only benefits Indonesia by bridging good relations between Indonesia and China but also to the other countries. This is something that I will support and the Indonesian people will need more of such works. "
The Yuz Art Museum has established an international academic committee comprising Mr Yu, Professor Wu Hung of the University of Chicago, Mr Kwok Kian Chow of Singapore and will be inviting several more art historians and critics to be on the panel that will decide on the exhibition and publication programmes of the museum. Six to eight exhibitions a year are planned in this not for profit setup.
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