兰一

Recommendation for Lan Yi

兰一在赴法期间的绘画具有强烈的涂鸦色彩，在回国后的创作中，涂鸦的一些基本语言被保留下来，最为明显的是线条分明的形象和强烈对比的色彩效果，隐藏其下的是艺术家对“人”及“人性”的关注。在他近期的绘画创作中，利用精确的线条和色块来勾画带有写意特征的传统绘画，并形成了一种明显的视觉反差。

——盛葳

Lan Yi’s works used to be characterized by graffiti when he was in France, the basic expressions of which remained after he came back China. The images with lines and the color effect of strong comparison are highly impressive, under which is the artist’s focus on “human beings” and “humanity”. His recent paintings make use of exact lines and color lumps to sketch the freehand brushwork in traditional Chinese painting and forms an obvious visual contrast.

-- Sheng Rui

吴达新

Recommendation for Wu Daxin

吴达新的艺术创作以影像开始，并逐渐发展为动态装置的形式。在相当长的一段时间内，艺术家的兴趣点一直放在对“水”和“冰”同一物质的不同物理形态之间的转换，以及转换过程所夹带的意义上。在新近创作的这件作品中，可以明显地看出他从观念层面上对“影像”作为艺术创作的“技术”的深入思考。

——盛葳

Wu Daxin’s artistic creation starts from photography and gradually develops to the form of dynamic device. During quite a long period of time, the artist keeps his interest in the transformation of “water” and “ice”, actually the same substance, between different physical forms, and the meaning of the transformation process. His latest piece of works reflects clearly his penetrating thinking of “images” as the artistic creation from the aspect of the concept.

-- Sheng Rui